Deborah Harkness – A Discovery of Witches
Length: 587 pages
Started: 13 December 2011
Finished: 22 December 2011
Where did it come from? The library (via their ebook rentals service. It’s the first time I tried it, and man, is it slick.)
Why do I have it? I’m pretty sure I first saw it in Shelf Awareness, and I was in the mood for something absorbing but relatively fluffy.
In this long book, we
discover lots of witches,
but no real ending.
Summary: Diana Bishop is the last in long line of witches that stretches back to Rebecca Bishop of Salem. But she doesn’t use her magic in everyday life, preferring to do her research – as a historian of science – the old-fashioned way. However, during the course of her research, she stumbles across a powerfully magical alchemical manuscript, that no one has seen in centuries. Now she’s the center of attention for every supernatural creature in Oxford – witches, demons, and vampires alike – but none more so than Matthew Clermont, a geneticist/vampire. Diana does her best to resist his advances, but she finds herself strangely drawn to him. Matthew claims he wants to protect her, but can she believe him, or is he too only after the manuscript? And if she does fall for him, will she be putting herself in even greater danger?
Review: My reaction to this book is being very strongly colored by its ending, so I’m going to address that first, and then once that’s off my chest, we’ll see if I can talk about the rest of the book in a slightly less biased manner.
My problem with the ending? There isn’t one. I did not realize that this book was only the first in a trilogy until I’d turned the last page and absolutely nothing had been resolved. I suppose I should have started to get suspicious at page 500 or so, when instead of anything coming to a head (let alone being resolved), Harkness was still introducing new story elements and plot threads. If I’d known that it wasn’t a stand-alone when I started, I probably would have reacted less badly, but as it was, I finished the book intensely frustrated and annoyed.
In retrospect, the fact that it’s the first in a trilogy explains a lot about the general plotting of the story. Throughout, I had the feeling that the book couldn’t quite figure out what it wanted to be. I had thought it was going to be Oxford and library-centric, and for 200 pages it was, and then there’s a shift to France and vampire history, and then once I’d settled into that, there’s another jump to Salem and the mechanics of witchcraft. It sort of feels like the introduction to several books pasted together, rather than being a single story with a cohesive beginning, middle, and end. There are a lot of elements in play at any one time, and while individually they’re all interesting, together they leave the book feeling jumbled and not quite fully developed.
Even ignoring the weird plotting, this book had a number of issues. The characters felt a little flat to me, and I don’t think I found Matthew as charming as I was supposed to, which made it hard to get fully into the romance aspect of the story. (He spends a lot of time bossing Diana around, although at least he acknowledges this when she calls him on it.) The writing was workmanlike, nothing terrible but nothing particularly elegant either, with a tendency to be a little wordy and to engage in some pretty major infodumping.
(And let’s not get me started on the biology aspect of the book. Matthew’s research in genetics plays a fairly major role in the story, and while there were not *too* many blatant mistakes (although there were some), there were a lot of things that made it clear that it was science as written by a historian. For example, as Diana is learning about Matthew’s various career changes over his vampiric lifespan, she says “Someday you’ll have to explain to me the relationship between neuroscience, DNA research, animal behavior, and evolution. They don’t obviously fit together.” Really? My dissertation committee would be surprised to hear it.)
But, for all of my crankiness, what I wanted when I picked this book up was something that would hold my attention, keep me reading, and be a nice and relatively fluffy distraction from holiday travel and stress. And, on all three of those counts, this book succeeded; I got hooked into the story, I was interested in what would happen next, and I read it straight through several very long flights. So take all of my complaining above with a grain of salt; none of it was enough to make me stop reading, and I’ll most likely be picking up the sequels… in the hopes that they will feature a resolution to at least some of the six million different story threads introduced in this book. 3.5 out of 5 stars.
Recommendation: It’s kind of a jumble of story elements (vampires, witches, history, libraries and old manuscripts, secret religious orders, supernatural politics, genetics, romance, mystery, etc.), but if enough of them sound interesting, or if you’re interested in a vampire romance in which the girl can hold her own in a fight, it’s probably worth a shot. Just be aware going in that it’s not at all a stand-alone novel, and that few of the questions it raises will be answered until later in the series.
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First Line: The leather-bound volume was nothing remarkable.
Some More Biologist Griping:
“Welcome to the history lab.” The blue light made his face look whiter, his hair blacker. “This is where we’re studying evolution. We take in physical specimens from old burial sites, excavations, fossilized remains, and living beings, and extract DNA from the samples.” Matthew opened a different drawer and pulled out a handful of files. “We’re just one laboratory among hundreds all over the world using genetics to study problems of species origin and extinction. The difference between our lab and the rest is that humans aren’t the only species we’re studying.” – pg. 155
In that last line, Matthew is using “species” to mean variety of supernatural humanoids – vampires, demons, witches – but if you read “species” to mean “species,” then this becomes laughably false. What about the hundreds if not thousands of labs that study animal and plant speciation?
“Beatrice’s nuclear DNA has fewer markers common among witches. This indicates that her ancestors, as the centuries passed, relied less and less on magic and witchcraft as they struggled to survive. Those changing needs began to force mutations in her DNA – mutations that pushed the magic aside.” – p. 160
Argh, this is teleological thinking – the idea that external conditions or some final goal can cause purposeful or directed changes. It’s a major misconception in popular descriptions of evolutionary theory, and it’s enough to put most biologists’ teeth on edge. Mutations are random – not dictated by external conditions – and then the mutations that are best suited to those external conditions are the ones that get passed down to future generations. There’s also a hint of Lamarckism in there – the idea that what one of these ancestors did during their lives determined which traits their offspring would receive – that is also just not how genetics works. At least, not human genetics. Maybe all of the magical power of witch genes make things work that way. Let’s just say a wizard did it and move on.
“Vampires mate the way lions do, or wolves,” he explained, sounding like a scientist in a television documentary. “The female selects her mate, and once the mate has agreed, that’s it. They’re mated for life, and the rest of the community acknowledges their bond.” – pg. 354
This is, charitably interpreted, vastly oversimplified, if not plain wrong. It’s more true for wolves – there’s some wiggle room on what “for life” means, and “acknowledges” is both anthropomorphic and inaccurate in its implications, but otherwise, it’s okay. But for lions, that’s not at all how it works. The Lion King gets some things wrong, but the whole bit about one male fighting another for reproductive access to a pride of females was right on target – lifelong monogamy has nothing to do with it.
Vocab: (see the whole list)
- p. 16: “I climbed the twisting treads to where the old buckram-covered books sat in neat chronological rows on wooden shelves.” – a stiff cotton fabric for interlinings, book bindings, etc.
- p. 38: “We spent the remainder of the afternoon in a state of détente.” – a relaxing of tension, especially between nations, as by negotiations or agreements.
- p. 234: “There were tiny incunabula and pocket-sized books in neat rows on one bookcase, spanning the history of print from the 1450s to the present.” – extant copies of books produced in the earliest stages (before 1501) of printing from movable type.
- p. 411: “Tabitha hissed at me and resumed her sybaritic attention to Matthew’s lower legs.” – characterized by or loving luxury or sensuous pleasure.
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